![]() ![]() In their new book, Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We’ll Win Them Back, Rebecca Giblin, a professor at Melbourne Law School, and Cory Doctorow, a technology activist and best-selling science-fiction novelist, portray creative markets not as two-way freeways but instead as hourglasses, with authors, musicians, and other artists at one end and consumers at the other. It’s certainly not Amazon’s novel.īut your relationship with-and, more specifically, your financial support for-Jeffers and other creators is not so straightforward. Du Bois, for instance, is clearly Honorée Fanonne Jeffers’s novel, not her publisher’s. You generally know the creators by name and credit them for their work. ![]() Think about the art and culture you consume-the books, music, movies, and podcasts. Today, nearly three decades since its founding, the company has indeed replaced these businesses with an even bigger and more centralized gatekeeper: Amazon itself. In 2012, Jeff Bezos claimed in a letter to Amazon shareholders that the company was serving humanity by eliminating old-fashioned “gatekeepers,” like book publishers, that stood between creators and their audiences.
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